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Title Author Working Group Type
The forgotten “New De Mayerne” MS Sloane 1990 – Comparative overview of an understudied primary source Jenny Boulboullé Art Technological Source Research Poster
On the trail of lost ingredients: The Bolognese Manuscript Lara Broecke Art Technological Source Research Paper
Data harvesting for art materials research: A case study using the Trove newspaper collection Alice Cannon Art Technological Source Research Poster
'A drop or two': Late medieval recipes on the use of resins and varnishes in paints Indra Kneepkens Art Technological Source Research Poster
"More than a pure technical sensation": Twentieth-century metallic paints, their formulations, and use in paintings Maria Kokkori Art Technological Source Research Paper
The Might of White' 1: Formulations of titanium dioxide-based oil paints as evidenced in archives of two artists’ colourmen, mid-20th century Alan Phenix Art Technological Source Research Paper
Exploring the late 19th-century landscape of ink manufacturing via a collection of 90 bottles Birgit Reissland Art Technological Source Research Paper
A l’usage des artistes peintres' (Blockx 1881)? Audience and readership of historical recipe books, 1550–1900 Maartje Stols-Witlox Art Technological Source Research Poster
Historical reproduction of grisailles according to treatises and recipe books dating from the 10th to the 19th century Márcia Vilarigues Art Technological Source Research Poster
Nineteenth-century cochineal lake pigments from Winsor & Newton: Insight into their methodology through reconstructions Tatiana Vitorino Art Technological Source Research Paper
An axial rotation device for documenting King Tutankhamun’s decorated sticks Ahmed Abdrabou Documentation Poster
Interpreting the fourth (innermost) shrine of King Tutankhamun using digital x-radiography Nour Badr Documentation Poster
Layers upon layers – Integrating an image-based mapping tool for object condition documentation with a collection management system maria franzon Documentation Paper
The Horus Condition Report: A digital tool for smartphones and tablets allowing for better condition reports on artworks anais gailhbaud Documentation Poster
Off the record: Using data mining to review decision making in conservation practice Stavroula Golfomitsou Documentation Paper
Çatalhöyük Digital Preservation Project: Pilot program in integrated digital monitoring strategies Ashley Lingle Documentation Paper
The aim of documentation: Micro-decisions in the documentation of performance-based artworks Rita Macedo Documentation Paper
Development of a multispectral RTI system to evaluate varnish cleaning Yasunori Matsuda Documentation Paper
The COSCH project: Spectral and spatial object documentation for conservation Ruven Pillay Documentation Poster
Building Information Modelling (BIM) workflow analysis for heritage science practice Danae Phaedra Pocobelli Documentation Poster
Analysis and documentation of original baroque pipes: New data and stop-list reconstruction of an 18th-century organ in Kurtuvėnai, Lithuania Girenas Povilionis Documentation Poster
Post-disaster damage assessment of cultural heritage: Are we prepared? Aparna Tandon Documentation Paper
Creating a national outreach through local connections: The American Institute for Conservation’s K-12 Education Outreach Working Group Sarah Barack Education and Training in Conservation Paper
Art + Science at the Harvard Art Museums Francesca Bewer Education and Training in Conservation Paper
ITAACI and education in conservation and archaeology Alice Boccia Paterakis Education and Training in Conservation Paper
Dry laboratory activity: Is The Mysterious Departure authentic, a forgery or a verifalsi? Jeffrey Fieberg Education and Training in Conservation Poster
An evaluation of the teaching and learning of reflective practice at the Centre for Textile Conservation, University of Glasgow Sarah Foskett Education and Training in Conservation Paper
Two development opportunities for the price of one: Passing on conservation skills Monika Harter Education and Training in Conservation Poster
Balancing accountable assessment with holistic professional practice Jane Henderson Education and Training in Conservation Paper
Preparing the future to save the past: Including emergency conservation measures in the training of young professionals Renata Kaminker Education and Training in Conservation Poster
Using blended learning to strengthen capacity in storage reorganization in Canada, Belgium, and Southeast Europe Simon Lambert Education and Training in Conservation Paper
Science in the art conservation curriculum: Determining threshold concepts and strategies for teaching and learning Alison Murray Education and Training in Conservation Paper
Fundraising for conservation education: Eight days a week Debra Norris Education and Training in Conservation Paper
Reconciling the past, building the future: A conservation-training project in Kosovo Miriam Orsini Education and Training in Conservation Poster
Celebrating different points of view katriina simila Education and Training in Conservation Paper
Sustainability in Conservation: Student Ambassador Program Caitlin Southwick Education and Training in Conservation Poster
Building capacity for post-disaster recovery of museum collections in Nepal Aparna Tandon Education and Training in Conservation Paper
Knowledge that sticks: Long-term professional development courses for mid-career professionals involved in collection preservation Joel Taylor Education and Training in Conservation Poster
Human resources development: Restorers in Japan Sachiko TSUBOKURA Education and Training in Conservation Poster
How to encourage conservators to produce knowledge. The CeROArt ‘lab’: Looking back at ten years of experience Muriel Verbeeck Education and Training in Conservation Paper
The degradation of cadmium orange restoration paint on an ancient Greek terracotta vase Susan Costello Glass and Ceramics Paper
Romans gone, skills lost? The development of glass quality as seen by nXCT analysis of bubbles Margarete Eska Glass and Ceramics Paper
GIMME: Faces and phases Andrea Fischer Glass and Ceramics Poster
An examination of blue faience libation vessels from the tomb of Tutankhamun Eid Mertah Glass and Ceramics Poster
Through the looking glass: On cleaning stained-glass windows with task-specific luminescent ionic liquids Hélia Pereira Marçal Glass and Ceramics Poster
Investigating the use of the Er:YAG laser for the conservation of inorganic archaeological artefacts Lucía Pereira-Pardo Glass and Ceramics Poster
The terracotta dome and internal glass mosaics of Giggleswick School Chapel, Yorkshire, UK: Condition, diagnosis and conservation Norman Tennent Glass and Ceramics Paper
The yellowing of polymer fills in vessel glass: A retrospective assessment involving FTIR characterisation Norman Tennent Glass and Ceramics Poster
The application of an analytical protocol for the quantitative detection of ionic species on the surface of unstable glass in museum collections Guus Verhaar Glass and Ceramics Poster
Use of an ionic liquid for the removal of corrosion products formed in historical blue enamels Márcia Vilarigues Glass and Ceramics Poster
The durability of bamboo paper: Analysis of neutral sugar and degree of polymerization (DP) Chia Jung CHUNG Graphic Documents Poster
To treat, or not to treat, that is the question: Enhancing historical understanding of Shakespeare’s will at The National Archives, UK Nicola Fleming Graphic Documents Paper
Simple analyses to investigate the properties of storage systems for documents Paul Garside Graphic Documents Paper
Maurice-Quentin de La Tour and Jean Valade pastels: History, materials and studio practice Cécile Gombaud Graphic Documents Paper
The Augsburger Geschlechtertanz by Narziss Renner (1522) – Material analysis and conservation concept Benjamin Kirschner Graphic Documents Poster
Modern Japanese paper: Machine-made, wood pulp and non-native fibres Megumi Mizumura Graphic Documents Paper
Establishing the relation between degradation mechanisms and fibre morphology at microscopic level in order to improve damage diagnosis for parchments – A preliminary study Kathleen Mühlen Axelsson Graphic Documents Paper
The past, present and future of lead white in Denmark’s national graphic art collections Morten Ryhl-Svendsen Graphic Documents Paper
Investigation of Japanese printing paper from the 13th–15th century: Fiber analysis and starch filler identification by noninvasive digital microscopy, and an attempt at carbon-14 dating Shouji Sakamoto Graphic Documents Poster
Traditional materials and techniques of palm leaf manuscripts in India Deepakshi Sharma Graphic Documents Poster
In the Garden of Eden: The conservation and scientific analysis of a 19th-century French panoramic wallpaper Lore Troalen Graphic Documents Poster
Characterisation (macro- to nanoscale) of the effects of novel nanoparticle-based conservation treatment of vegetable-tanned leather and its long-term effects Alexandra bridarolli Leather and Related Materials Poster
Historical or archaeological leather? An investigation on the condition of excavated leather items damaged by heat and moisture Edit Darabos Leather and Related Materials Poster
Pilot treatment for the conservation of a 20th-century suede leather wall covering in a historic house museum Mariabianca Paris Leather and Related Materials Poster
Gilt leather conservation: A critical review to promote improved conservation strategies Martine Posthuma de Boer Leather and Related Materials Paper
Gilded Goddess: The technical examination of an anonymous Italian gilt leather painting at the Mauritshuis Julie Ribits Leather and Related Materials Paper
The impact of manufacturing and conservation on silver leaf tarnishing in gilt leather Laurianne Robinet Leather and Related Materials Paper
Measuring the hydrothermal stability of leather and parchment – The significance of heating rate and shrinkage intervals Dorte V. P. Sommer Leather and Related Materials Paper
Legal aspects concerning the storage of cultural heritage in Brazil Andréa Lacerda Bachettini Legal Issues in Conservation Paper
Implementing European standards for conservation of cultural heritage in Sweden Lisa Nilsen Legal Issues in Conservation Paper
Crime and the conservator: Exhibiting a body of evidence Sharon Robinson-Calver Legal Issues in Conservation Paper
Linking past and future: The requirement for a comprehensive and sustainable national conservation policy in India BIPIN KUMAR THAKUR Legal Issues in Conservation Paper
Examination of a novel dioxime corrosion inhibitor for the conservation of copper alloys Ahmad Abu-Baker Metals Poster
Protection of organic remains in alkaline iron desalination Stefanie Bruhin Metals Paper
Assessment of the protective properties of patinas on contemporary sculpture made out of weathering steel Emilio Cano Metals Paper
Impact of previous chemical treatments and environmental storage conditions on miniature hoes from Tutankhamun’s tomb Abdelaziz Elmarazky Metals Poster
Aluminium artefacts in heritage collections: Conservation of surface finishes and aspects Michaela Florescu Metals Poster
Development of an innovative film‑forming cleaning system for the removal of corrosion products from copper alloy artifacts Rodorico Giorgi Metals Paper
Roman luxury: The conservation of the Berthouville Silver Treasure and four late Roman missoria Susan Lansing Maish Metals Paper
Twenty years of conservation of plated brass instruments at the Musée de la musique in Paris Marie-Anne Loeper-Attia Metals Paper
Effect of successive potentiostatic cleanings on tarnished silver and lead Teresa Palomar Metals Poster
Picturing the bad guys: Application of neutron tomography and image processing to assess dechlorination methods for archaeological iron Katharina Schmidt-Ott Metals Poster
Investigation of a traditional metal adhesive: A case study of lac-based resin used by swordsmiths in India Vandana Singh Metals Paper
The jewellery of René Lalique: Towards future conservation strategies Isabel Tissot Metals Poster
Conservation of the 16th-century Merkelsche Tafelaufsatz created by the German goldsmith Wenzel Jamnitzer Joosje van Bennekom Metals Paper
Deconstructing Incralac: A formulation study of acrylic coatings for the protection of outdoor bronze sculpture Julie Wolfe Metals Paper
Nanofluids confined in chemical hydrogels for the selective removal of graffiti from street art PIERO BAGLIONI Modern Materials and Contemporary Art Paper
Brazilian Concrete Art: The availability of national and international modern paints João Barbosa Modern Materials and Contemporary Art Poster
Seen from behind: Consolidation of painted works on poly(methyl methacrylate) by László Moholy-Nagy Julie Barten Modern Materials and Contemporary Art Paper
From Pollock drips to perfect white in Jan Schoonhoven’s Zero reliefs Lydia Beerkens Modern Materials and Contemporary Art Paper
Accessioning and documentation of Pretty much every film and video work from about 1992 until now Stephanie de Roemer Modern Materials and Contemporary Art Paper
A cape for the Buddha. Notes on Pipilotti Rist’s Himalaya Goldsteins Stube Irene Glanzer Modern Materials and Contemporary Art Paper
New applications of Pickering-type emulsions for the cleaning of modern water-dispersed oil paints Diana Hartman Modern Materials and Contemporary Art Poster
The future of looking younger: A new face for PMMA. Research into fill materials to repair poly(methyl methacrylate) in contemporary objects and photographs Anna Laganà Modern Materials and Contemporary Art Paper
The traveling goat made possible. Using noninvasive portable technology to investigate Robert Rauschenberg’s Monogram Therese Lilliegren Modern Materials and Contemporary Art Paper
In condensed form: The Artist Dialogues series at the Getty Conservation Institute Rachel Rivenc Modern Materials and Contemporary Art Paper
Günter Weseler’s Breathing Object – Bringing it back to life Tannar Ruuben Modern Materials and Contemporary Art Paper
Effectiveness and durability of conservation treatments for photo-oxidized acrylonitrile-butadiene-styrene (ABS) Luísa Sampaio Modern Materials and Contemporary Art Poster
A behaviour index for complex artworks: A conceptual tool for contemporary art conservation Sanneke Stigter Modern Materials and Contemporary Art Paper
(S)watch it! Identifying, replicating, and restoring the original color of di Suvero’s K-piece Nikki van Basten Modern Materials and Contemporary Art Paper
The effect of materials and production processes used in selective laser sintering on the durability and appearance of rapid-prototyped art objects Katja van de Braak Modern Materials and Contemporary Art Paper
The applicability of gecko-inspired dry adhesives to the conservation of photographic prints Christina Young Modern Materials and Contemporary Art Paper
The artist at work: New material knowledge about a complex Australian mural sabine cotte Murals, Stone, and Rock Art Paper
Irish Memorial Monument, Sydney, Australia – Multifaceted conservation treatment Grzegorz Dabrowa Murals, Stone, and Rock Art Poster
Evaluation of synthesized poly(EMA/MA)/ZnO nanocomposites used for protecting ancient Egypt’s calcareous stone monuments Sayed Mansour Murals, Stone, and Rock Art Poster
Developing preservation policy: The case of the Philadelphia Mural Arts Program Catherine Myers Murals, Stone, and Rock Art Paper
Can paint stabilization be reversible? The case of the wall paintings in Chapel 11 at the UNESCO site of the Sacro Monte di Varallo Francesca Pique Murals, Stone, and Rock Art Paper
Investigations into the 1938 restoration of Roman wall paintings in the tablinum of the House of the Bicentenary at Herculaneum Leslie Rainer Murals, Stone, and Rock Art Paper
Silicate-based murals at the market hall in Stuttgart: An investigation into art technology and damage phenomena for the development of a conservation approach Anna Schoenemann Murals, Stone, and Rock Art Poster
Exercising restraint: Conserving wall paintings within a living religious tradition in Tigray, Ethiopia lisa shekede Murals, Stone, and Rock Art Paper
Conserving the wall paintings in the tomb of Tutankhamen: How the past informs the future lori wong Murals, Stone, and Rock Art Paper
'Of only modest artistic quality': Reconsidering the significance of firm ecclesiastical wall painting in England, 1845–1920 Elizabeth Woolley Murals, Stone, and Rock Art Paper
Conservation in a Barcode Age: A cross-discipline re-storage project for pyritic specimens Lu Allington-Jones Natural History Collections Paper
A modern approach to dismantling and redisplaying a historic blue whale skeleton Arianna Bernucci Natural History Collections Paper
Conservation of archaeological bone for research purposes: Human remains from Avery’s Rest archaeological site – A case study Irene Finkelde Natural History Collections Poster
Conservation versus genetics. Challenges of conservation planning for historic herbaria Magdalena Grenda-Kurmanow Natural History Collections Paper
The Bare Bones: Using laser technology to remove the shellac coating from the skeleton of a Megaloceros giganteus Lucie Mascord Natural History Collections Poster
Bridge over Olduvai Gorge: Capacity building and conservation of lithics and fossils Renata F. Peters Natural History Collections Paper
An investigation into the lightfastness of metal-complex solvent dyes for use in the restoration of faded mammal taxidermy Julia Sybalsky Natural History Collections Paper
Saving the present in Brazil: Perspectives from collaborations with indigenous museums Ana Carolina Delgado Vieira Objects from Indigenous and World Cultures Paper
A comparison of ethanol and methanol vapour treatments for reshaping birch bark Carole Dignard Objects from Indigenous and World Cultures Paper
Uncovering, discovering and deinstalling a rare Solomon Islands canoe from a 118-year museum public display T. Rose Holdcraft Objects from Indigenous and World Cultures Poster
Linking Dahlem with the Humboldt Forum Birgit Kantzenbach Objects from Indigenous and World Cultures Poster
The use, meaning, and preservation method of batik textiles in Indonesia Nicolaus Aji Kusuma R. U Objects from Indigenous and World Cultures Poster
Re-evaluating student treatments of barkcloth artefacts from the Economic Botany Collection, Royal Botanic Gardens, Kew Frances Lennard Objects from Indigenous and World Cultures Paper
Capturing motion in Māori cloaks: Logistics, decision making and perceptions Nyssa Mildwaters Objects from Indigenous and World Cultures Paper
The conservation of basketry: A review and reflection based on survey and treatment of a large collection Nancy Odegaard Objects from Indigenous and World Cultures Paper
Conserving world cultures at the Ethnological Materials Conservation Laboratory of the Vatican Museums Stefania Pandozy Objects from Indigenous and World Cultures Paper
Is that a wig you are wearing? Rosemarie Selm Objects from Indigenous and World Cultures Poster
Identification of New Zealand plants in artefacts: Insights from polarised light microscopy Catherine Smith Objects from Indigenous and World Cultures Paper
Tissue issues: Reconsidering winter gut Amy Tjiong Objects from Indigenous and World Cultures Paper
Insoluble surface spots, metal soaps and challenges in the conservation of Goya’s Portrait of Francisco de Saavedra Aviva Burnstock Paintings Paper
Water sensitivity of modern oil paintings Aviva Burnstock Paintings Paper
From wood ash to pearl ash: Historic alkaline cleaning agents and their impact on oil paint Joana Devesa Paintings Poster
Miracle mystery: Research and treatment of the Mirakeldoeken, a 16th-century tüchlein by Jacob Cornelisz van Oostsanen Gwendoline Fife Paintings Paper
Research-based conservation programme for The Apotheosis of James I: Nine ceiling paintings by Sir Peter Paul Rubens in the Banqueting House, Whitehall Palace Kate Frame Paintings Poster
Softwoods, tendons, double grounds: Panel supports for painting in late medieval Nuremberg Beate Fuecker Paintings Paper
Glue-paste linings: An evaluation of some biological, chemical and mechanical aspects of a traditional technique Laura Fuster Paintings Paper
Strain measurements during structural conservation treatment and the long-term monitoring of a 17th-century Dutch panel painting Cécilia Gauvin Paintings Poster
Physicochemical investigation of an icon painting from the Enda Abba Garima Monastery, Ethiopia Kidane Fanta Gebremariam Paintings Poster
Valuing Van Gogh’s colours: From the past to the future Ella Hendriks Paintings Paper
An unusual gilding technique on two panels by Pietro Lorenzetti Helen Howard Paintings Paper
New approaches to an old problem: A precision mild heat-transfer method for nuanced treatment of sensitive contemporary and modern artworks Tomas Markevicius Paintings Paper
An investigation of options for surface cleaning unvarnished water-sensitive oil paints based on recent developments for acrylic paints Bronwyn Ormsby Paintings Paper
Investigating Vynol: Australia’s first artists’ acrylic and vinyl-acrylic emulsion paints Raymonda Rajkowski Paintings Paper
Cleaning modern oil paints: The removal of imbibed surface dirt. Towards an integrated conservation methodology for the assessment, contextualization and treatment of imbibed surface dirt on unvarnished modern oil paintings Lise Steyn Paintings Poster
The conservation of craquelure in monochrome paintings Jenni Suoniemi Paintings Poster
Digital image correlation for condition monitoring of lined painting Vladimir Vilde Paintings Poster
Questions of color: A technical study into Franz Marc’s masterpiece Grazing Horses IV (The Red Horses) Andrea von Hedenström Paintings Paper
Characterization of Louis Ducos du Hauron’s diaphanies Natalie Coural Photographic Materials Poster
Color negatives at the demise of silver halides Rudolf Gschwind Photographic Materials Paper
Rebuilding Holtermann’s triumph: From plate to pixel Nichola Parshall Photographic Materials Paper
New approaches for monitoring dye fading in chromogenic reversal films: UV-Vis spectrophotometry and digitisation Joana Silva Photographic Materials Paper
Team up and re-group, re-use, and re-vive! Lessons learnt from RE-ORG workshops around the world Catherine Antomarchi Preventive Conservation Paper
Value management scan: Setting priorities in management and care of collections Agnes Brokerhof Preventive Conservation Paper
Parts per item: Using object weightings to achieve consistent estimates during the risk assessment of a historic sewerage treatment plant Alice Cannon Preventive Conservation Poster
Towards the ‘collectively subjective’: The challenges of estimating loss in value during collection risk assessments Alice Cannon Preventive Conservation Paper
New developments in understanding daylight exposure in heritage interiors Stephen Cannon-Brookes Preventive Conservation Paper
Taking emergency action: A rescue operation to save cultural properties in Brazil Marilene Corrêa Maia Preventive Conservation Poster
A bottom-up and mixed-methods approach to understanding visitors’ perceptions of dust, dirt and cleaning Catherine Dillon Preventive Conservation Paper
The development of a methodology to understand climate-induced damage in decorated oak wood panels Stina Ekelund Preventive Conservation Paper
Mould growth on heritage materials: Impact of air movement rates on water activity Morena Ferreira Preventive Conservation Poster
A reality check for microfade testing: Five examples Bruce Ford Preventive Conservation Paper
Diagrams of equal area coverage: A new method to assess dust deposition in indoor heritage environments Josep Grau-Bové Preventive Conservation Paper
Conservation management of asbestos removal above historic ceiling paintings Kathryn Hallett Preventive Conservation Poster
Trends in effective communication of integrated pest management data Jane Henderson Preventive Conservation Paper
Risk assessment for the relocation of the historical Viking ships at Bygdøy, Oslo, Norway Jesper Stub Johnsen Preventive Conservation Paper
Indoor climate-induced degradation differences of mature oil paintings Katrien Keune Preventive Conservation Poster
The microclimate within a Neolithic passage grave Poul Klenz Larsen Preventive Conservation Paper
Direct preventive conservation – Using information from the past to prevent small issues in the present from becoming bigger problems in the future Helen Lloyd Preventive Conservation Paper
Assessing how filtering or changing lights affects the relative colours seen in works of art: Utilising TM-30-15 calculations Joseph Padfield Preventive Conservation Paper
Performance of Danish low-energy museum storage buildings Lise Ræder Knudsen Preventive Conservation Paper
Challenges of and reflections on sustainable climate control at the National Museum of Ethnology, Japan Naoko Sonoda Preventive Conservation Poster
Data mining in collections: From epidemiology to demography Matija Strlic Preventive Conservation Paper
Loss rules! Taking the measure of collection damage and loss scenarios Robert Waller Preventive Conservation Poster
A taste of pearl: (Re)discovering a modern lead white in PMMA sculptures Sara Babo Scientific Research Poster
Smelling the past: A case study for identification, analysis and archival of historic potpourri as a heritage smell cecilia bembibre Scientific Research Paper
Volatile organic compound (VOC) emissions from plastic materials used for storing and displaying heritage objects Katherine Curran Scientific Research Paper
The Saltzman Collection: A reference database for South American dyed textiles Ilaria Degano Scientific Research Paper
Ultramarine disease as influenced by pigment preparation Alessa Gambardella Scientific Research Poster
Using enzymes to remove polyvinyl alcohol (PVA) from artworks Noriko Hayakawa Scientific Research Poster
The chemical characterisation of water-sensitive modern oil paint swatches by Winsor & Newton Judith Lee Scientific Research Paper
Atomic force microscopy for analyzing adhesion of paint and plastic surfaces Michal Lukomski Scientific Research Paper
Quantitative chemical near-infrared hyperspectral imaging of Islamic paper HEND MAHGOUB Scientific Research Paper
Optical coherence tomography as an imaging tool for the non‑invasive assessment of the state of preservation of mineralised collagen‑based artefacts Lucia Noor Melita Scientific Research Poster
X-ray computed tomography in situ? Yes, it is possible! Maria Pia Morigi Scientific Research Paper
An in situ non-invasive study of paint layers on Early Netherlandish paintings: New insights into the paintings’ history by portable CXRF Katharina Müller Scientific Research Paper
Using SERS on plastics: Optimizing materials characterization for conservation purposes Daniela Reggio Scientific Research Poster
The influence of manufacturing and alterations on skin-based artifacts as characterized by nonlinear optical microscopy Laurianne Robinet Scientific Research Paper
Sustainable future alternatives to petroleum-based polymeric conservation materials Yvonne Shashoua Scientific Research Paper
Investigation, monitoring, and treatment of a so-far unknown surface phenomenon developing on objects in newly installed state‑of‑the‑art showcases Sabine Stanek Scientific Research Poster
Silver-copper alloy corrosion mechanisms – New perspectives for the conservation assessment of cultural heritage objects Isabel Tissot Scientific Research Paper
Visualizing the invisible – Detection of inorganic surface coatings on TiO 2 pigments in a paint film using STEM-EDX mapping Birgit van Driel Scientific Research Poster
AF9590, a yellow coffin from the Louvre Museum: Analytical methodology developed within the Vatican Coffin Project Lucile Brunel-Duverger Sculpture, Polychromy, and Architectural Decoration Poster
Revealing the archetype: The journey of a trecento Madonna and Child at the National Museum of Scotland Diana de Bellaigue Sculpture, Polychromy, and Architectural Decoration Paper
The statuary on the belfry portal of Brussels Town Hall: A colourful past retrieved Camille De Clercq Sculpture, Polychromy, and Architectural Decoration Paper
Composite wainscot block construction in medieval sculptures: A question of quality? Bettina Ebert Sculpture, Polychromy, and Architectural Decoration Paper
Material and light in the Damascus Room, Dresden Jessica Hensel Sculpture, Polychromy, and Architectural Decoration Poster
Nailing it! The identification of northern Netherlandish altarpieces through common features in their methods of construction Kristin Kausland Sculpture, Polychromy, and Architectural Decoration Paper
Reviving a Chinese ‘mosaic’ – The art of Jiăn Cí Eddy Leung Sculpture, Polychromy, and Architectural Decoration Poster
Brussels–Copenhagen (1967–2017): A story of the history of polychrome sculpture emmanuelle mercier Sculpture, Polychromy, and Architectural Decoration Paper
Conservation of a White Louise Nevelson installation: Treatment choices based on ethical discussions and analytical studies sarah nunberg Sculpture, Polychromy, and Architectural Decoration Paper
Conservation of the plaster ceiling in the Nursery at Craigievar Castle, damaged by salt efflorescence Jorge Otero Sculpture, Polychromy, and Architectural Decoration Poster
Visual and technical study of the Kumla altar (ca. 1439), Swedish History Museum, Stockholm Lise Sæter Sculpture, Polychromy, and Architectural Decoration Paper
The re-adhesion of flaking chalk ground on a 15th-century wooden polychrome sculpture with methylcellulose and masking with nonpolar solvents Karolina Soppa Sculpture, Polychromy, and Architectural Decoration Poster
Decoding damages to late-medieval cult sculpture from Norwegian churches Noëlle Streeton Sculpture, Polychromy, and Architectural Decoration Paper
Overpaint removal from a quattrocento polychrome bas-relief: Challenges in interpreting painted sculpture Cybele Tom Sculpture, Polychromy, and Architectural Decoration Paper
The use of textile swatch books to study the Norwich dyeing industry Jocelyn Alcantara-Garcia Textiles Poster
Before they are gone expanded: Capturing traditional textile preservation knowledge in Southeast Asia and Latin America Julia M Brennan Textiles Paper
A sticky situation: A different method for removing adhesive from an early 17th-century carpet Julia Carlson Textiles Paper
Banner Tales of Glasgow: Working with the tangible and intangible natures of social history banners helen hughes Textiles Poster
Developing fabrics made with traditional techniques for textile conservation within the cultural property preservation policy in Japan Mie Ishii Textiles Paper
Paracas textiles – Colour and condition. Investigation of the mordants and state of degradation of the Paracas textile collections in Peru and Sweden Anna Javér Textiles Paper
Adhesive removal using gels for the conservation treatment of the valances of a Queen Anne throne canopy Viola Nicastro Textiles Paper
Dyes and the analysis of archaeological textiles: What do we see? Maj Ringgaard Textiles Paper
Evaluating transmission electron microscopy as a method for assessing the condition of archaeological wool Annemette Bruselius Scharff Textiles Paper
Wet felting tradition in Bulgaria. Ornamented woollen wedding carpets: Function, technology, techniques of production and conservation issues Elitsa Tsvetkova Textiles Poster
Authenticating Turkey red textiles through material investigations by FTIR and UHPLC Julie Wertz Textiles Paper
A role for bespoke codes of ethics Jonathan Ashley-Smith Theory and History of Conservation Paper
The effect of credentialism on the cost of conservation treatment Isabelle Brajer Theory and History of Conservation Paper
Red, white or blue – An evacuation priority marking system on paintings in Dutch museums and its applicability in conservation and research today Stina Ekelund Theory and History of Conservation Paper
Time and conservation Hanna B. Hölling Theory and History of Conservation Paper
Linking museum visitors with technical studies of artists’ techniques and materials Marcelle Lunau Theory and History of Conservation Poster
From the periphery to the centre: Community engagement and justice in conservation decision making Rita Macedo Theory and History of Conservation Paper
Royal Villa and Park of Monza: A knowledge-based strategy for preventive conservation and site management rossella moioli Theory and History of Conservation Poster
The model conservator – Unpicking the past to understand discipline development Caitlin O'Grady Theory and History of Conservation Paper
A materials- and values-based approach to the conservation of fashion Sarah Scaturro Theory and History of Conservation Paper
The impact of Paul Philippot on the theory and history of conservation/restoration Joyce Hill Stoner Theory and History of Conservation Paper
ART IN PROCESS – PROCESS IN ART: Towards a new philosophy in the care of contemporary art Iwona Szmelter Theory and History of Conservation Poster
Past treatments with a view to the future: Early 20th-century restoration and scientific investigation of the eight group portraits by Frans Hals in Haarlem Mireille te Marvelde Theory and History of Conservation Paper
The metamorphosis of the Lady Ibet coffin (L1651 to L1655): Restoration stories Noelle Timbart Theory and History of Conservation Poster
Changing views, altering practices – A brief overview of nearly two hundred years of painting conservation at the Rijksmuseum in Amsterdam Esther van Duijn Theory and History of Conservation Paper
Conservation and exhibition of a human mummy from a salt mine in Zanjan, Iran Hassan Ghaseminejad Raeini Wet Organic Archaeological Materials Poster
Conservation and study of gilded Celtic wood remains Floriane Hélias Wet Organic Archaeological Materials Poster
Identification and assessment of volatile emissions from archaeological wood Sarah Hunt Wet Organic Archaeological Materials Paper
Development and use of a non‑destructive diver-held underwater wood density profiler Poul Jensen Wet Organic Archaeological Materials Paper
Towards a description of the degradation of archaeological birch bark Johanna Klügl Wet Organic Archaeological Materials Paper
Mass treatment of waterlogged rubber gaskets and seals from the American submarine H.L. Hunley (1864) Johanna Rivera Wet Organic Archaeological Materials Poster
Conservation issues of fossil lignitized woods rich in pyrite Véronique Rouchon Wet Organic Archaeological Materials Poster
Investigating the impact of sodium nitrite on wood Elsa Sangouard Wet Organic Archaeological Materials Poster
Anyone for a nice cup of tea? The use of bacterial cellulose for conservation of waterlogged archaeological wood Yvonne Shashoua Wet Organic Archaeological Materials Paper
The application of multispectral imaging and reflectance transformation imaging to an ancient Egyptian polychrome wooden stele Ahmed Abdrabou Wood, Furniture, and Lacquer Poster
Stool no. 60: Alvar Aalto’s transparent wood coatings from 1930 to today Lisa Burkart Wood, Furniture, and Lacquer Paper
The rebirth of door gods: Conservation of a pair of traditional Chinese timber entrance doors Eddy Leung Wood, Furniture, and Lacquer Poster
When science reveals craft practices: Recent findings in the py-GC/MS analysis of Chinese export lacquer Catherine Matsen Wood, Furniture, and Lacquer Paper
Two mid-19th-century Chinese lacquered folding screens still in use – Research and conservation Johanne Bornemann Mogensen Wood, Furniture, and Lacquer Paper
Wood conservation training course at the Grand Egyptian Museum Conservation Center by the Japan International Cooperation Agency (2011–16) Yasushi Okada Wood, Furniture, and Lacquer Poster
Formation of metal soaps on brass-based coated frames: Nitrocellulose revisited Malgorzata Sawicki Wood, Furniture, and Lacquer Paper
The construction of late-17th-century Netherlandish furniture: Typology, materials, authorship and durability Paul van Duin Wood, Furniture, and Lacquer Paper